The Perfect Item of Clothing

We talk a lot about fashion and clothing in this newsletter.  So, what constitutes the perfect item of clothing?  I am certain opinions will be divided: a tee, jeans, a hoodie, socks.  Let’s define further what criteria we need to fulfil to be considered “perfect”:

  • Timeless 

  • Stylish

  • Versatile - can be used for many purposes and types of occasions

  • Can be repurposed (worn by others, resold, reused)

  • It creates a powerful and impactful image when worn

My perfect clothing item (or items) would be a tailored suit.  It ticks all of those boxes. It may not be perfect for everyone here, but hear me out.  

The history of the suit originates (for men) in the 17th Century Royal Court Dress.  For women in the 1660s as “Costumes” worn for Horse Riding (a jacket and matching skirt).  However, these items have morphed throughout the years, largely due to social, political, and lifestyle influences. The French Revolution had overly decorative styles be unpopular (to say the least).  

1940s Demob Suit - Photo: Pinterest

Wars influenced the amount of fabrics available.  Post-WW2, there was the “Demob” suit, a suit of clothing issued to ex-servicemen from the British Military Services when they were demobilised from active duty.  This democratised the suit, shifting it from higher class status to everyone (remember, the class system was very much in place in England at this time).  The streets were said to be filled with grey, “men in grey suits”. 

Since then, the suit has taken so many forms and occupied a variety of status.  The “Zoot suit”, the “Rock-a-Billy” suit, the “Mod suit.  Each era reacted against what the previous era wore—replacing the silhouette with something slimmer, wider, with bigger or smaller lapels.  Some of the most iconic suits were those worn by Elvis, The Beatles, and John Travolta in Saturday Night Fever.  This also saw the introduction of Polyester for easy care.  The ‘80s saw the arrival of the fabulous “Armani” suit.  Then, the Tom Ford for Gucci suit.  Later, we had the legendary Hedi Slimane “Dior Homme” and later “Saint Laurent” skinny suit.  

For women, we have seen a similar trajectory in styles and silhouettes—yet even more extreme. The end of WW2 required the liberated woman to return to the home. Many men needed jobs, and women were “encouraged to return to domesticity”.  By 1951, in England, “the number of working women had returned to the pre-war level”.  

The suit to herald this was “The New Look” by Christian Dior.  The “Bar Suit” used 5 metres of fabric for the skirt and required a tiny waist.  There was a huge reaction to this due to the constraints of post-war austerity; this luxurious fashion statement was seen as inappropriate and excessive.

Dior's New Look 1947 - Photo: Mediakron

Dior's New Look 1947 - Photo: Mediakron

Each decade brought a silhouette and style as an indicator of the movement of women from the home to the workplace.  The ‘50s suit was very grown-up and structured.  The ‘60s decade brought a complete liberation for women (or it seemed), with the arrival of the mini skirt and the movement towards freedom and sexual liberation.  For decades to follow, the women’s suit really was part of the journey of women becoming members of the workforce. Any Google search will show endless suits and formalwear from numerous stores and retailers.  

By the ‘80s, women’s suits paralleled men’s suits. Armani, Hedi Slimane, and Tom Ford did their versions, as did the Japanese designers.  Where we are now is pretty much a democratised version, with blazers being a vital item of any professional or executive women’s wardrobe.

Naomi Campbell for BOSS's Spring 2023

On a personal note, I love the suit.  I do find it a perfect item of clothing.  I’ve researched its iterations and generations, history and expressions.  I have worn many suits: skirt suits, pants suits and short suits from a number of designers.  I also have my own vintage Tom Ford Gucci suit.

For me, the perfect suit is a personally tailored one.  I have two, which I had semi-handmade “made to measure” by amazing tailors in Hong Kong (Magnus & Novus).  Both suits are in light wool, both in colours which I would always wear.  I studied the silhouette that I considered the most flattering to my body and the most versatile to my lifestyle.  

The first suit I made was this red suit, which I have worn almost on a weekly basis (or more frequently) as a suit or separately during the past 2+ years.  Last year, I added the light coral version and updated my red suit by adding a mini skirt.  The light coral suit has pants, a jacket (like the red one), a waistcoat, and shorts, which are perfect.  They go from day to evening: sneakers/loafers/heels, dressed up, dressed down.  Add a T-shirt, add a shirt, or just wear the blazer with jeans or pants with a shirt. 

I personally prefer this silhouette. I based it on my Tom Ford suit and removed some of its extreme nature to better suit my body. The internal details are true men's tailoring techniques. This, along with the attention to fit and beautiful fabric, is what differentiates mine from a store-bought suit.

Time for the weekly homework:

  • Which is your favourite suit? 

  • How do you wear it? 

  • Do you consider it timeless?

  • If you could have any suit, what would it be? 

As always, love life, have fun, and enjoy fashion.

Kate xx

All About The First Monday In May

Last week was the first Monday in May, which we all know means the Met Gala.  It is probably one of (if not) the most talked about, created about, famous fashion events of the year. 

The Met Gala is essentially “a fundraiser for the Metropolitan Museum of Art’s Costume Institute and its benefit to the museum overall”.  The Gala was started in 1948 by fashion publicist Eleanor Lambert as a fundraiser for the newly founded Costume Institute to mark the opening of its annual exhibition.  The early galas were mainly a dinner, with tickets costing 50 USD.  The early attendees were mainly New York high society and New York’s fashion industry.  In 1972, the incredible Diana Vreeland became a consultant to the Costume Institute.  From then, the Gala became more international and glamorous, with high-profile attendees of celebrities and New York elite attendees.  Guests included Cher, Diana Ross, Andy Warhol, Barbara Streisand, Elizabeth Taylor, Madonna, and Elton John.  At this time, themes were introduced, and the Gala found a home at the Met.    

House of Swarovski

The Met Gala, as it is known today, can be safely attributed to Anna Wintour taking up the reins in 1995 as the lead chairperson of the event.  It has a theme, dress code and a very curated guest list, which Wintour oversees with her Vogue staff.  The tickets have risen far beyond the 50 USD starting cost to an incredible 70 thousand USD per seat.  Previous themes have included “Savage Beauty” (Alexander McQueen), “Punk: Chaos to Couture”, “Charles James”, “America: An Anthology of Fashion” (2022), “In America: A Lexicon of Fashion” (2021), and “About Time: Fashion and Duration” (2020).

 If you are a fashion lover, you will have seen endless content on Instagram, YouTube, other social media channels, and traditional media channels.  I have referenced some of my favourites at the bottom of this blog.  It is safe to say that we all talked about, looked at, thought about, and maybe criticised or even laughed at certain celebrities and their sartorial choices.  In this blog, I want to talk a bit about my takeaways from this year‘s event, so let’s get to it. 

Zendaya, Maison Margiela John galliano - Photo: Getty Images

Firstly, there were big names and the most impactful people; you can see the photos of those here.  Of course, Zendaya, with her genius Stylist Luxury Law, serves up not one but two phenomenal looks.  How the unbelievable house of Swarovski’s Creative Director Giovanna Battaglia Engelbert created extraordinary crystal outfits for herself, Kylie Koss, Karlie Kloss, Irina Shayk, Imaan Hammam, and Anok Yai.  All of the big houses, Chanel, Dior, and of course Balenciaga (although I can’t say there was my favourite).  Loewe and Jonathan Anderson co-chaired the event, so we saw a lot of the Loewe magic, including the beautiful Charles Worth-inspired coat worn by Ms Wintour, as well as many other brand ambassadors.

Kim Kardashian: Maison Margiela by John Galliano - Image: Dia Dipasupil/Getty Images

My takeaways came from some refreshing elements.  Firstly, following the recent Margiela Couture show, Mr John Galliano was more than referenced.  In many ways, he was associated with many looks, including one of the most controversial characters, Kim Kardashian.  I, personally, found this one really inspiring; go and watch the Vogue video of this.  It’s amazing.  The one designer I always look forward to seeing is Harris Reid, who completely astounded everyone with his own fluid look and adding the dimension of Ms Demi Moore, no age, no gender bias - I absolutely love it.  It is really those unexpected elements that make this so exciting and inspiring, and this was definitely one of those.

Harris Reed with Demi Moore

My most beloved creation was Mona Patel, styled by Law Roach.  I didn’t even see her until later in the week, dressed in an Iris von Herpen couture butterfly gown with this extraordinary kinetic butterfly jewellery by Casey Curran. It was a true transformation; it was stunning, beautiful, somewhat magical, and subtle.  What I found a very important aspect of this event is how much we can glean from event dressing and how some of these pieces are timeless.  They will be catalogued, stored away and kept forever, and that’s a vision of fashion.  Some of these pieces are like art, which will be kept and potentially featured in an exhibition years later.  There were some amazing sustainable efforts, including Demi Moore’s Harris Reed dress, which was made from vintage wallpaper; Penelope Cruz wore a dress made from 3 other Chanel pieces; Charli XCX wore a Marni dress made from old T-shirts.

Mona Patel in Iris von Herpen - John Shearer/Getty Images

The other takeaway I had is that some of these pieces can also be reworked, reused, upcycled, re-created, or given a new life either through who else styles and wears them or actually through physical recreation.  The Met Gala may seem like something completely unnecessary in the world with wars, but it’s given us something else to think about and discuss.  Even my Chinese teacher was fully prepared with her best-dressed list when we met on Wednesday this week. It’s always a joy to talk about fashion.

HOMEWORK: which were your favourite outfits?
Which outfits would you have worn yourself if you had been invited to the Met Gala

Some of my favourite creator's work is @Ideservecouture, who had an almost running commentary.

And on Youtube:
@HauteleMode
“Inside Kim Kardashian’s Dream Met Gala Look”  @vogue
“the entire history of the Met Gala” @understitch

As always, have fun, love life, and enjoy fashion.

Love, Kate xx

FASHION MEMORIES - Do We Love The Memories Or The Clothes?

I recently went to Singapore and was reminded how much of my fashion is filled with memories of the past.  I spent some time with a dear friend.  We were fashion designer friends in Hong Kong in the late ‘90s during our single, glamorous, fashion-obsessing lifestyles.  It was a beautiful trip to the past, with happy memories of beautiful, fashionable outfits, fun dinners and our excitement over new boyfriends.  Some conversations only exist between fashion lovers and designers.  Discussions about what and where we shopped, designers at brands, fashion movies and TV shows.  We have both moved on to new and different lives.  However, we are quickly taken back to our past adventures and love of fashion.

While those times are in the past, much of my wardrobe, it seems, is not.  Some of my happiest times still remain in what I wear.  This begs the question, “Do we choose our own styles, or are they significantly connected with our memories of happy times from the past?”  Let’s explore this further.

My travel wardrobe was (surprisingly) filled with clothing memories of the past. The most obvious item was my beautiful upcycled dress. This dress was originally made from silk that I bought in Arab Street in Singapore. I made a very narrow, bias-cut halter dress; it was always stunning. I loved to make Western-style dresses in authentic Asian fabrics, and I dreamed of creating a brand doing just that.  

So, back to the dress.  She was a beauty I never could discard, regardless of other emerging trends.  Thankfully, I held on to her, and the amazing Alexa at Design Blender gave her a fabulous new life.  This dress is always perfect for Singapore, including the weather, the colours, the print, and the magic of connection.

The next was my favourite combat khaki look.  I have memories and clothes in my wardrobe from 20 years ago, including Miu Miu, Marni and Maharishi.  I have added some beautiful Sacai to those.  A lot of memories of Singapore are based around khaki greens and oversized florals, and for this trip, I had some pieces just fitting those descriptions.  I went to Dover Street Market and was blown away by their selection of Sacai and Comme (among others).  

I met friends from the distant and recent past and was happy to be connected to some shared experiences and fun times, which the past few years had temporarily suspended.  I have many clothes that now qualify as vintage; these are not purchased as vintage but kept as I continue to love and wear them.  I have equally discarded/given away stunning clothes that were connected to unhappy times in my life.  I had a whole wardrobe of beautiful Danish designers I wore while working in my corporate life, but when I looked at them, I just felt stressed.  A friend benefitted tremendously from those emotions and memories - she got the lot for free.  

So how about turning it all around and keeping ourselves “wrapped in happiness”?  After much editing and realignment of my wardrobe, I have achieved just that.  I don’t chase trends to feel better.  I know what I love and what suits me; my wardrobe is filled with those items. 

There are a few key themes:

  • Exotic, glamorous dresses (many upcycled)

  • ‘70s vibe tailoring (primarily vintage or handmade)

  • Khaki combat - old Marni, Miu Miu and Maharishi - with recent additions from Sacai.

  • Resortwear (which we have discussed at length here).

  • EXERCISE : 

  • Discover for yourself which themes are most “YOU”, items that make you happy, and remember the times you want to recall.   

  • Consider how chasing trends makes you feel.  Do you look for things that remind you of the happy memories?  

  • How would you be able to build the optimal wardrobe with your own authentic style that you love?

As always, have fun, love life, and enjoy fashion.

Love, Kate xx

Why Does Y2K Fashion Make Me Happy?

Yesterday, on the way to the Airport, I was randomly scrolling through Instagram when I happened upon a post by @Xeniaadonts. It immediately made me smile and gave me a warm, fuzzy feeling. The post was so Y2K, with Xenia wearing Miu Miu, low-slung jeans, a crop denim handkerchief top, and a lovely matelasse Miu Miu bag—all achingly cool with her so chic, messy crop bob. Why did this make me so happy?  

In this blog, we discuss fashion, the joy of dressing up, the impact of clothing on our mood, the joy of self-expression through fashion, and, importantly, conscious consumerism.  Why did this post make me so happy?  The Y2K fashion was not the most comfortable or easy to wear.  Some parts of your body were always on show and up for scrutiny (others, but mostly your own)—your back, shoulders, midriff on display and everything so tight.  There was no space for comfort. 

My husband always told me I wore clothes a size too small.  Yet it was such a joyful and exciting time.  Fashion seemed exciting and new.  Tom Ford was at Gucci, bringing a new sense of glamour and sexiness.  Prada was the “it” brand, and the aforementioned Miu Miu gave us everything from Baby Doll Dresses to cool combat looks.  There were other cool brands - Tracey Reece, Tibi and Lisa Ho- serving up gorgeous bias-cut dresses and prints, as well as the exquisite minimalism of Helmut Lang and Jim Sander.  There was so much fun and excitement.  We trotted around in our kitten heels with our Prada Bowling bags, making plans and having fun.   

Yet, there was less fashion than we have now.  This era was before the massive growth of both Luxury Goods and Fast Fashion.  There were many independent brands and a lot of discovery, newness, and excitement everywhere.  It was also very happy and exciting for me personally; I was about to get married or had recently married.  Life was full of glamorous places to go, amazing friends, new adventures, a new business and a new life ahead.  So many opportunities waiting to happen.  These were the precious memories being ignited by that IG post.  It was a time when life seemed less serious, before the deaths of parents, professional failures and experiences that hurt.

So what is the learning here?  Clothes can be and are a powerful source of our own joy and happiness.  If you’re reading this, you are not dressing for function only; you have a love and appreciation for clothing as a self-expression.  Do you have an era in fashion that makes you happy?  Is there an era which was really ‘you’?  What is that feeling you had then?  Was it flirtiness, glamour, power, confidence, sexiness?  Whatever that feeling was is so relevant and a key tool for creating a wardrobe you love and resonates.  Chasing the current trend is all good, but it can be seen as looking/searching, which is far from personal certainty, confidence and ease.

The joy and excitement I experienced in that era may have been in the past, but it is alive right now and can be recreated.  Hence, I have so many Y2K elements in my personal style, and I still wear my Tom Ford Gucci and Miu Miu.  Fashion as a form of self-expression can be pure joy - art in life.  Having a sense of personal style is key to this.  Having your own style provides a sense of confidence and certainty in a currently challenging world.  So let’s enjoy this opportunity. 

Time for some fashion homework:

•⁠  ⁠Do you have a time you loved in fashion?

•⁠  ⁠What was it?

•⁠  ⁠How did it make you feel?  

•⁠  ⁠Define that feeling - cool, chic, powerful, beautiful, confident 

•⁠  ⁠Now, build your style based on those elements.  

•⁠  ⁠Have fun while building your own style, confidence and certainty.

As always, have fun, love life, and enjoy fashion.

Kind regards

Kate xx

What Is The Fashionable Futures Community All About?

Next week, we will be launching our Fashionable Futures Community on SKOOL. Use the link below to join this fabulous community.

So, this is a great subject to address today.  If you have been reading this blog for some time, you know that I am very passionate about fashion, sustainability, and especially the future of fashion.  My commitment is for people to enjoy life and enjoy fashion while engaging in a conscious sense of consumerism.  So they can shop, dress and love fashion in a way that excites them and makes them look glamorous and at peace with their conscience.  That is what the community is all about.

The Stelar team working their magic!

This community is an opportunity for like-minded people to come together and achieve so much more. I have always been a sharer, a passionate person who loves to tell people about my favourite designers, brands, restaurants, movies, and places to visit. So, this is where I can share on another level.  It’s a place where we can gather together as like-minded people to explore what we can achieve together.

This creation of something greater as a community is so exciting, collaborative, and hugely beneficial. I’m committed to creating this community. I know and communicate with so many people who are designers, manufacturers, innovators, brand owners, students, fashion lovers, and people committed to sustainable fashion, and I love the idea of bringing together like-minded people in a way that is powerful, connected, and extraordinary.

The fashion industry isn’t really known for its tremendously warm connectivity.  Historically, it has been a rather exclusive place, and we had to prove something to be included or enter.  This is not a criticism, just an observation.  However, I’m committed to shifting all of that.  I’m bringing together a relatively diverse group of people connected through fashion as an industry, as a passion, and also a group committed to the future of fashion.  A future where the entry point is levelled for people who are engaged in a force for good for the world.  One that does not benefit from the exploitation or invalidation of others, where people can find partners, collaborator suppliers, customers, mentors, friends, business partners, and even lovers.

This is a hugely exciting engagement for me. It’s something I’ve been planning for many years, and I’m very excited about it. The future of fashion, for me, is one where we can all have an opportunity for self-expression and creativity and to make an impact for the greater good. My greater commitment is that everybody who is engaged in this community will be elevated, inspired, and positively impacted by it.

I’m bringing together some experts you can learn from. The community will offer many training courses on fashion, elevating your brand or business, addressing personal effectiveness, and creating your vision, and (believe it or not) it’s all completely FREE!

As I’ve spoken and written about before, I’ve had a long, successful and very desirable career. I’ve had endless opportunities to work with extraordinary people, travel to amazing places, and create beautiful things, and this has always been my commitment. This is my opportunity to contribute and give back to an industry and our future.  Something I would want for future generations of designers and creators, brand builders and manufacturers who are creating a whole New World of fashion.  One which is extraordinary and beautiful. 
So come along and join us on this amazing journey.  I’m so looking forward to having you there.  Let’s make this magic happen together.

Watch this space; there’s so much more to come, and we look forward to seeing you soon inside the Fashionable Futures community.

As always, have fun, love life, and enjoy fashion.

Kind regards

Kate xx

Kate Padget-Koh

FASHIONABLE FUTURES